Salt Lake City Public Art Program

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Flying Objects 4.0 (2014-2016)

April 7, 2015 by Salt Lake Public Art Program

The Flying Objects temporary public art project began in 2005 during a time when downtown Salt Lake City was under considerable construction for the City Creek Center, one of the nation’s largest mixed-use downtown redevelopment projects. The project was designed to stage a series of sculptures, installed in three locations, that added color, shape, interest, whimsy, and vitality to the streetscape through a curated series of twelve sculptures in a range of styles and materials.

Since then, four series’ of Flying Objects have been accomplished with great support from the artists and the community; each series being installed for a period of 2 to 2½ years. The Flying Objects project has offered both established and emerging Utah artists an opportunity to participate in a temporary public art project and create sculptures on a smaller scale using a variety of materials and subject matter. Each selected artist/team is paid an honorarium for the loan of their work. At the end of the project period their artwork is returned to the artists.

The three installation sites were selected for their proximity to cultural facilities: 10 South West Temple, in front of Abravanel Hall and the Utah Museum of Contemporary Art; 15 West 200 South, across the street from Capitol Theatre near Hotel Monaco; and 125 West 300 South in the median in front of the Rose Wagner Performing Arts Center.

Flying Objects is funded by the Redevelopment Agency of Salt Lake City and managed by the Salt Lake City Arts Council.

Flying Objects 3.0 (2012-2014)

April 7, 2015 by Salt Lake Public Art Program

The Flying Objects temporary public art project began in 2005 during a time when downtown Salt Lake City was under considerable construction for the City Creek Center, one of the nation’s largest mixed-use downtown redevelopment projects. The project was designed to stage a series of sculptures, installed in three locations, that added color, shape, interest, whimsy, and vitality to the streetscape through a curated series of twelve sculptures in a range of styles and materials.

Since then, four series’ of Flying Objects have been accomplished with great support from the artists and the community; each series being installed for a period of 2 to 2½ years. The Flying Objects project has offered both established and emerging Utah artists an opportunity to participate in a temporary public art project and create sculptures on a smaller scale using a variety of materials and subject matter. Each selected artist/team is paid an honorarium for the loan of their work. At the end of the project period their artwork is returned to the artists.

The three installation sites were selected for their proximity to cultural facilities: 10 South West Temple, in front of Abravanel Hall and the Utah Museum of Contemporary Art; 15 West 200 South, across the street from Capitol Theatre near Hotel Monaco; and 125 West 300 South in the median in front of the Rose Wagner Performing Arts Center.

Flying Objects is funded by the Redevelopment Agency of Salt Lake City and managed by the Salt Lake City Arts Council.

Flying Objects 2.0 (2009-2012)

April 7, 2015 by Salt Lake Public Art Program

The Flying Objects temporary public art project began in 2005 during a time when downtown Salt Lake City was under considerable construction for the City Creek Center, one of the nation’s largest mixed-use downtown redevelopment projects. The project was designed to stage a series of sculptures, installed in three locations, that added color, shape, interest, whimsy, and vitality to the streetscape through a curated series of twelve sculptures in a range of styles and materials.

Since then, four series’ of Flying Objects have been accomplished with great support from the artists and the community; each series being installed for a period of 2 to 2½ years. The Flying Objects project has offered both established and emerging Utah artists an opportunity to participate in a temporary public art project and create sculptures on a smaller scale using a variety of materials and subject matter. Each selected artist/team is paid an honorarium for the loan of their work. At the end of the project period their artwork is returned to the artists.

The three installation sites were selected for their proximity to cultural facilities: 10 South West Temple, in front of Abravanel Hall and the Utah Museum of Contemporary Art; 15 West 200 South, across the street from Capitol Theatre near Hotel Monaco; and 125 West 300 South in the median in front of the Rose Wagner Performing Arts Center.

Flying Objects is funded by the Redevelopment Agency of Salt Lake City and managed by the Salt Lake City Arts Council.

Flying Objects (2006-2009)

April 7, 2015 by Salt Lake Public Art Program

The Flying Objects temporary public art project began in 2005 during a time when downtown Salt Lake City was under considerable construction for the City Creek Center, one of the nation’s largest mixed-use downtown redevelopment projects. The project was designed to stage a series of sculptures, installed in three locations, that added color, shape, interest, whimsy, and vitality to the streetscape through a curated series of twelve sculptures in a range of styles and materials.

Since then, four series’ of Flying Objects have been accomplished with great support from the artists and the community; each series being installed for a period of 2 to 2½ years. The Flying Objects project has offered both established and emerging Utah artists an opportunity to participate in a temporary public art project and create sculptures on a smaller scale using a variety of materials and subject matter. Each selected artist/team is paid an honorarium for the loan of their work. At the end of the project period their artwork is returned to the artists.

The three installation sites were selected for their proximity to cultural facilities: 10 South West Temple, in front of Abravanel Hall and the Utah Museum of Contemporary Art; 15 West 200 South, across the street from Capitol Theatre near Hotel Monaco; and 125 West 300 South in the median in front of the Rose Wagner Performing Arts Center.

Flying Objects is funded by the Redevelopment Agency of Salt Lake City and managed by the Salt Lake City Arts Council.

The Canyon

March 11, 2015 by Salt Lake Public Art Program

Gordon Huether fabricated a 96-foot profile mountain range sculpture that was integrated into the fencing along the light rail platform. A visitor to and an admirer of Utah, Huether took inspiration from the Wasatch Mountains as his muse to create a profile of the mountain range which he segmented vertically. The sculpture is fabricated from quarter-inch steel plates powder coated in an intense burnt orange one might see at sunset in Bryce Canyon. The sculpture varies in height from three feet to nearly nine feet and is highly engaging by both pedestrians and motorists. The sculpture is in essence passively kinetic as the plates and their spacing combine to create a mountain range that visually opens and closes dependent on the angle of viewing. Driving by in a car or riding in a TRAX train past The Canyon increases this dynamic since one is moving at a higher rate of speed.

Spatial Perception

March 11, 2015 by Salt Lake Public Art Program

Shawn Porter created two stainless steel, bronze, and patinaed copper waterway & wildlife sculptures referencing the Jordan River, riparian zones, wetlands and wildlife existing throughout the Salt Lake Valley. His passion for and interest in the wetlands prompted his “desire to incorporate naturalistic artwork as a physical, visual and conceptual waterway/ gateway that welcomes visitors to the naturally diverse state of Utah.” This formal construct of line, arc and sphere provide the viewer with a banking river way perspective from end to center and center to end of station platform. A representation of reed-grasses generate archways suggesting mass transit as personal transference through a natural gateway into the capital city.

The Power Station

March 11, 2015 by Salt Lake Public Art Program

Darl Thomas, a Salt Lake City native and experienced sculptor has a lifelong admiration of the “generation of power” and the beauty of the electrical components. Thomas modified the three standard concrete benches on the platform into turbines, much like you would see in a hydroelectric plant. These refined sculptural benches are made of stainless steel and bronze. Thomas also etched all of the glass windscreen and windbreak panels with elegant images of insulators, wires, and transmission towers in various stages of detail and photos from the archives of Rocky Mountain Power.

Fairpark Convergence

March 11, 2015 by Salt Lake Public Art Program

O’Neil created colorful collages which were translated onto glass fabricated in Germany for the two-18-foot windscreen panels on the platform. She spent four days in Salt Lake City doing extensive research on the Fairpark neighborhood through interviews, site and library visits, and studying archival records. Through the use of color, design, historical maps, photographs, and manuscripts she wove together a rich history of the cultural diversity and events of the Fairpark community including elements of the Jordan River, the Utah State Fairpark, North Temple, and a diverse community that includes people from all over the world.

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